“Harry Potter and the Cursed Child” is coming to SDCC

The Award-Winning International Hit Stage Production
Harry Potter and the Cursed Child
Will Be Featured atComic-Con International: San Diego July 18-21, 2019

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Never Before Seen Content to Be Revealed at Booth & Panel!
www.HarryPotterOnStage.com

The award-winning international hit stage production Harry Potter and the Cursed Child will be featured at this year’s Comic-Con International: San Diego from July 18 to 21, 2019 with a booth and panel.

On Thursday, July 18 at 6pm, panel audiences will get an exclusive, never before seen insight into the world of the mind-blowing stage effects of Harry Potter and the Cursed Child when the show’s Magic and Illusions Designer Jamie Harrison and his associate Chris Fisher lead “Making Magic for Harry Potter and the Cursed Child – An Interactive Masterclass.” With magical demonstrations, video footage and never-before told stories from the making of the show, audiences will learn how the magicians and actors use clever techniques and cunning psychology to make the impossible seem real – they’ll even learn to perform magic themselves!

The production’s booth, on display all four days at #3629 in the Exhibit Hall, will feature Tony Award winner Christine Jones’ set model for the Broadway production, along with an actual costume worn by Jamie Parker who created the role of Harry Potter in the original West End and Broadway productions. The walls of the booth will be lined with exclusive content featured in the forthcoming book Harry Potter and the Cursed Child: The Journey which will be released by Scholastic in the US on November 5, 2019. There will also be a photo booth where fans can show their Hogwarts House pride by posing with Gryffindor, Hufflepuff, Ravenclaw and Slytherin banners.

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Harry Potter and the Cursed Child is now playing at the Palace Theatre in London, where it received its world premiere in July 2016; at the Lyric Theatre in New York, where it opened on Broadway in April 2018; and at the Princess Theatre in Melbourne, where it opened earlier this year. Upcoming productions include the exclusive U.S. West Coast premiere in San Francisco at the Curran later this year; the German premiere, the first non-English language production, at the Mehr! Theater am Großmarkt in Hamburg in spring of 2020; and the Canadian premiere at the Ed Mirvish Theatre in Toronto in fall of 2020.

Harry Potter and the Cursed Child is the eighth story in the Harry Potter series and the first official Harry Potter story to be presented on stage. Based on an original new story by J.K. Rowling, Jack Thorne and John Tiffany, Harry Potter and the Cursed Child is a new play by Jack Thorne, directed by John Tiffany.

Receiving universal acclaim for its breathtaking magic and stage wizardry, Harry Potter and the Cursed Child is the most awarded play in theatre history, winning 25 major U.S. awards, with six Tony Awards including Best Play. It also won 24 major theatre awards in the U.K. and is the most awarded show in the history of Britain’s Olivier Awards, winning a record-breaking nine awards including Best New Play.

It was always difficult being Harry Potter and it isn’t much easier now that he is an overworked employee of the Ministry of Magic, a husband, and the father of three school-age children.

While Harry grapples with a past that refuses to stay where it belongs, his youngest son Albus must struggle with the weight of a family legacy he never wanted. As past and present fuse ominously, both father and son learn the uncomfortable truth: sometimes, darkness comes from unexpected places.

Harry Potter and the Cursed Child features movement by Steven Hoggett, set by Christine Jones, costumes by Katrina Lindsay, music & arrangements by Imogen Heap, lighting by Neil Austin, sound by Gareth Fry, illusions & magic by Jamie Harrison, music supervision & arrangements by Martin Lowe. US Casting by Jim Carnahan, CSA.

Harry Potter and the Cursed Child is produced by Sonia Friedman ProductionsColin Callender and Harry Potter Theatrical Productions.

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